This door knocker is assembled from two lost wax castings.  I carved a wooden model from the architect's drawings, the foundry used my model to make their molds.  The two castings were then assembled and fitted with an engraved button.

This door knocker is assembled from two lost wax castings.  I carved a wooden model from the architect's drawings, the foundry used my model to make their molds.  The two castings were then assembled and fitted with an engraved button.

The model for the bronze knocker.

The model for the bronze knocker.

This entry door lock body, knob and keyhole cover were each cast using my carved models.  These parts were then machined and assembled as you see them here.

This entry door lock body, knob and keyhole cover were each cast using my carved models.  These parts were then machined and assembled as you see them here.

One of these console table aprons is an antique and one is a cast resin copy.  After making the mold and casting the parts, a convincing finish completes the effect.  The one mold can be used to make as many as one hundred copies.

One of these console table aprons is an antique and one is a cast resin copy.  After making the mold and casting the parts, a convincing finish completes the effect.  The one mold can be used to make as many as one hundred copies.

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This door knocker is assembled from two lost wax castings.  I carved a wooden model from the architect's drawings, the foundry used my model to make their molds.  The two castings were then assembled and fitted with an engraved button.
The model for the bronze knocker.
This entry door lock body, knob and keyhole cover were each cast using my carved models.  These parts were then machined and assembled as you see them here.
One of these console table aprons is an antique and one is a cast resin copy.  After making the mold and casting the parts, a convincing finish completes the effect.  The one mold can be used to make as many as one hundred copies.